Posted by KDS-RadusGOLD on October 6, 2008 at 9:17 PM
Welcome Rock Club Members, to round 6 of our Weekly get together.
This week, we will be sporting old school Rock and Roll.
We are going to be dusting off our Elvis and Big Bopper albums and singing any Rock and Roll that was released prior to January 1 1960.
We have had 5 weeks of great music up to this point and we should continue to see fantastic pieces from all of our members.
I would like to applaud our 3 members that are to be voted in to the Hall of Fame this week.
For the first time since the inception of our club, JessKent, with his rendition of the Animals' House of The Rising Sun http://www.singsnap.com/snap/r/b3118ce9f has finished in the top three in our club voting.
Jess has finished near the top of the voting each and every week, and finally got there with this rendition of Eric Burton's masterpiece.
Jess was one of the original members of the first "Rock Contest" and put in some of the best rock songs of that contest and some great pieces in this one. I look forward to hearing the rest of his work through out the contest as I do everyone else's stuff!
This round will start today and go until Friday this week at noon EST. All the same rules and lack there of will be enforced in this round as well. Please remember all of the wikipedia 411's on your song as well.
aboverubies thinks it is about time to resurrect crikey mate 2
"Poison Ivy" is a popular song by Jerry Leiber and Mike Stoller. It was originally recorded by The Coasters in 1959 It went to #7 on the Billboard Hot 100 chart. The song was also covered by The Rolling Stones in 1963 but never actually released as a single in its own right. Linda McCartney recorded the song in 1987and her cover was released on her posthumous album Wide Prairie in 1998. The song was also a massive nationwide hit for Australian group Billy Thorpe & The Aztecs in 1964, famously knocking The Beatles off the #1 spot on the charts there, even though they were touring the country at the time.
Here's a song that was #1 for about six months in 1948..but alas no music from then, so did an updated version, by Elvis. "Good Rocking Tonight" was originally a jump blues song released in 1947 by its writer, Roy Brown. It was covered by Wynonie Harris in December that year, and released in February 1948. The song includes the memorable refrain, "Well I heard the news, there's good rocking tonight!"
Harris's version was far more wild, featuring black gospel style handclapping. This was reflected in the composition's success on the national R&B chart. Harris' record was a #1 hit and remained on the chart for half a year, while Brown's original version charted for just one week in 1948, and only after Harris' recording was a hit. (Brown's single re-entered the chart in 1949 for another two weeks, peaking at #11.) Ironically, Brown had first offered the song to Harris, who turned it down. Only after the Roy Brown record gained traction in New Orleans did Harris reconsider.
Harris had a reputation for carousing, and sometimes forgot lyrics. His Good Rockin' recording session largely followed Brown's original lyrics, but by the end, he replaced the last section with a series of raucous "hoy hoy hoy!" interjections, a commonly used expression in jump blues tunes of the time, going back to 1945's "The Honeydripper" by Joe Liggins.[citation needed]
The song is a primer of sorts on the popular black music of the era, making lyrical reference to Sweet Lorraine, Sioux City Sue, Sweet Georgia Brown, Caldonia, Elder Brown, Deacon Jones. All of these characters had figured prominently in previous hit songs.
While Brown missed out on the biggest hit version of his song, its success kicked off his own career, which included two #1 R&B hits. In 1949, he released Rockin' at Midnight, a sequel to Good Rocking Tonight, which might be thought of as "Good Rocking Tonight part II" because it included updates on the same characters as the original. It reached #2 on the R&B chart, where it remained for a month. Harris's version started a craze of using gospel style backbeats in blues and rhythm and blues records, and that craze led to rock and roll.
In 1954, Good Rockin' Tonight was the second-ever Sun Records release by Elvis Presley. Presley and his bandmates hewed closer to the original Roy Brown version, but omitted the lyrics' by-then-dated roster of names in favor of a simpler, more energetic "We're gonna rock, rock, rock!"
* Paul McCartney recorded the song for the Unplugged (The Official Bootleg) album.
* A Gene Summers cover version of "Good Rocking Tonight" was included on a French compilation album "The Big Beat Show" issued by Big Beat Records (BBR1000) in 1981.
* Contraband, a all-star hard rock group recorded their version of the song for their debut self-titled album in 1991.
* Other cover versions of the song include the Treniers', Pat Boone's, James Brown's, Montrose's and Kevin DuBrow's. Robert Plant and the Honeydrippers had a successful cover of Rockin' at Midnight.
"Santa Baby" is a 1953 Christmas song written by Joan Javits (the niece of Jacob K. Javits), Philip Springer, and Tony Springer.
The song is a tongue in cheek look at a Christmas list sung by a woman who wants the most extravagant gifts like sable, yachts and decorations from Tiffany's.
"Santa Baby" was originally sung and recorded in 1953 by Eartha Kitt. The song was a huge hit for Kitt, and she later said that it was one of her favorite songs to record. A sequel, "This Year's Santa Baby", was recorded by Kitt in 1954, to no commercial success; Kitt also reprised the original song for a 1963 re-recording with a more uptempo arrangement (Madonna's popular rendition for the 1987 charity album A Very Special Christmas is based on this latter version). The song gained considerable exposure after it was featured in the 1989 film Driving Miss Daisy.
[edit] Cover versions
"Santa Baby" has been covered in recorded and live performances by many other female artists throughout the years, including Maria Muldaur, Everclear, RuPaul, Taylor Horn, Madonna, Jhene, Macy Gray, Natalie Merchant, Faith Evans, Boney James, Kylie Minogue, The Pussycat Dolls, LeAnn Rimes, Kellie Pickler, and Taylor Swift as well as in an Ally McBeal episode by the title character (Calista Flockhart), by Chris Mitchell, and by The Swingle Singers. Miss Piggy sang the song in the film It's a Very Merry Muppet Christmas Movie; and recorded another version for the album A Green and Red Christmas.
The version recorded by the Pussycat Dolls entered the Top 70 Billboard charts in the Philippines, peaking at #22. Although it was a b-side the song picked up radio airplay in the Philippines. This version also appeared as track 1 on CD 1 of The Perfect Christmas 2006 album.
Rev Run has also re-recorded this song for A Very Special Christmas, Vol. 3.
In December 2007, Kylie Minogue's version of the song reached #76 in the UK due to download sales. She used it as a b-side to her single "Over The Rainbow".
Hey Guys and Girls I have almost sorted all my work crap now so I can get back to recording next week. Isn't it a pain when your paying job gets in the road of your passion.
KD this may not fall into rock if not let me know as otherwise I will have to submit the third version of JBG to date!!
Mack the Knife was introduced to the United States hit parade by Louis Armstrong in 1954, but the song is most closely associated with Bobby Darin, who recorded his version at Fulton Studios on West 40th Street, New York City, on December 19, 1958 (with Tom Dowd engineering the recording). In 1959 Darin's version reached number one on Billboard's Hot 100 and number six on the Black Singles chart, and earned him a Grammy Award for Record of the Year. Dick Clark had advised Darin not to record the song because of the perception that, having come from an opera, it wouldn't appeal to the rock & roll audience. To this day, Clark recounts the story with good humor. Frank Sinatra, who recorded the song with Jimmy Buffett, called Darin's the "definitive" version. On Radio 4's Desert Island Discs, pop mogul Simon Cowell named "Mack the Knife" the best song ever written. In 2003, the Darin version was ranked #251 on Rolling Stone's 500 Greatest Songs of All Time list.
Darin's version also hit #3 on Billboard's All Time Top 100.[1]
Promise next week back with a freshie for Heavy metal!! Rock on guys and girls. By the way my noms are in as well
Reply by JessKentGOLD on October 6, 2008 at 11:46 PM
I want to say I am just blown away I don't know what to say. I really love singing but my daughters got me to sing in front of others. I always sang to them when they were growing up and then they got me singing in the band they were in, and thats that I finally sang in front of others at 53 years of age. Rebelllafae was sent some songs they have done on sing snap, I think they are so great I would not want to be in any contest they were in their a little scarry for me. They are a little too good.
here's mine for the 50s' by Little Richard , " Good golly miss Molly http://www.singsnap.com/snap/r/baf84847 Good Golly Miss Molly" is a hit rock 'n' roll song first recorded in 1956 by the American musician Little Richard. The song, a 12-bar blues, was written by John Marascalco and producer Robert "Bumps" Blackwell. Although it was first recorded by Little Richard, Blackwell produced another version by The Valiants, who imitated Little Richard, but sang the song even faster. Although the Valiants' version was released first, Little Richard had the hit. Like all his early hits, it quickly became a rock 'n' roll standard and has subsequently been covered by hundreds of artists.
In 1966 the song again became a hit when Mitch Ryder & the Detroit Wheels recorded it in a medley with "Devil With A Blue Dress On". Bruce Springsteen and the E Street Band would make "Detroit Medley" a staple of their concerts' encores in the 1970s and 1980s; one such performance is captured on the 1980 No Nukes album.
Creedence Clearwater Revival recorded "Miss Molly" with slightly changed lyrics. Instead of the result of the gift of a diamond ring being, "When she hugged me and kissed me, made me ting-a-ling-a-ling", John Fogerty sang, "Would you pardon me if it's a nineteen-carat golden thing?"
The song was also covered by the Meat Puppets on their album Out My Way.
The song is included on the Jerry Lee Lewis album Live at the Star Club, Hamburg, recorded in 1964.
Brief additional history is located at Rolling Stone.
Was mentioned in the Hannah Montana Episode starring Dolly Parton, and referenced as "Good Golly Miss Dolly"
Berry wrote the piece in 1955 and released it in 1958. It is a rock and roll telling of the American dream - a poor country boy becoming a star by hard work and his skill at playing the guitar. Although partly autobiographical, the inspiration for the song is said to have been Johnnie Johnson who played the piano and composed several songs with Berry, and is considered a major contributor to the unmistakable Berry sound. On earlier unreleased takes Chuck sang "colored boy" instead of "country boy", but it was changed for fear of it not being played on the radio. In reference to the boy's name, Berry was also born on Goode Avenue in St. Louis. [1]
Great Balls of Fire From Wikipedia, the free encyclopedia Jump to: navigation, search For the original film, see Great Balls of Fire! (film). “Great Balls of Fire”
Single by Jerry Lee Lewis Released November 1957 Recorded October 8, 1957, Sun Studio, Memphis, Tennessee Label Sun 281 Writer(s) Otis Blackwell, Jack Hammer "Great Balls of Fire" is a 1957 song written by Otis Blackwell and Jack Hammer[1].
[edit] Jerry Lee Lewis recording The song is best known for Jerry Lee Lewis's rendition, which was recorded in the Sun Studio in Memphis, Tennessee on October 8, 1957, and released as a 45rpm single on Sun 281 in November 1957. It reached #2 on the Billboard pop charts, #3 on the R&B charts, and #1 on the country charts. It also reached #1 on the UK pop charts.
The song was ranked as the 96th greatest song ever by Rolling Stone.[2]
The song title is derived from a Southern expression, which some Christians consider blasphemous, that refers to the Pentecost's defining moment when the Holy Spirit manifested itself as "cloven tongues as of fire" and the Apostles spoke in tongues. In the 1939 movie Gone with the Wind, Scarlett O'Hara (played by Vivien Leigh) frequently exclaims, "Great balls of fire!"
[edit] Other recordings
Congrats to all the winners last round. Tough competition and an honor to be at the top. Great singing to you all. Love Dotti
"Jailhouse Rock" is a song written by Jerry Leiber and Mike Stoller that first became a hit for Elvis Presley. The song was first released as a 45rpm single on September 24, 1957, to coincide with the release of Presley's motion picture, Jailhouse Rock. Composer Mike Stoller can be seen playing piano in the film presentation of the song.
The song as sung by Elvis Presley is #67 on Rolling Stone's list of The 500 Greatest Songs of All Time[1] and was named one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.
The single, with its B-side "Treat Me Nice," was a US #1 hit for 7 weeks in the fall of 1957, and a UK #1 hit for three weeks early in 1958.
Also in 1957, "Jailhouse Rock" was the lead song in an EP (extended play single), together with other songs from the film, namely "Young and Beautiful," "I Want to be Free," "Don't Leave Me Now," and "(You're So Square) Baby I Don't Care." It topped the Billboard EP charts, eventually selling an additional two million copies and earning another double-platinum RIAA certification.
In 2005, the song was re-released in the UK and reached #1 for a single week. The song, which is an example of simple verse form, eventually sold four million copies in the US, thus earning a Double Platinum certification by the RIAA.
Good Golly Miss Molly" is a hit rock 'n' roll song first recorded in 1956 by the American musician Little Richard. The song, a 12-bar blues, was written by John Marascalco and producer Robert "Bumps" Blackwell. Although it was first recorded by Little Richard, Blackwell produced another version by The Valiants[1], who imitated Little Richard, but sang the song even faster. Although the Valiants' version was released first, Little Richard had the hit. Like all his early hits, it quickly became a rock 'n' roll standard and has subsequently been covered by hundreds of artists. The song is ranked #94 on the Rolling Stone magazine's list of The 500 Greatest Songs of All Time.
"Hound Dog" is a twelve-bar blues written by Jerry Leiber and Mike Stoller and originally recorded by Willie Mae "Big Mama" Thornton in 1952. Other early versions illustrate the differences among blues, country, and rock and roll in the mid 1950s. The 1956 remake by Elvis Presley is the best known version. This is the version that is #19 on Rolling Stone's list of The 500 Greatest Songs of All Time.[3] "Hound Dog" was also recorded by 5 country singers in 1953 alone, and over 26 times through 1964. [4]. From the 1970's onward, the song has appeared, or is heard, as a part of the soundtrack in numerous motion pictures, most notably in blockbusters such as American Graffiti, Grease, Forrest Gump, Lilo and Stitch and Indiana Jones and the Kingdom of the Crystal Skull.
"Chantilly Lace" is the name of a rock and roll song, written and originally performed by The Big Bopper (J.P. Richardson) in 1958.The song depicts one side of a telephone conversation, with a young man talking about what he likes in a girl, including:
Chantilly lace and a pretty face And a pony tail hanging down That wiggle in the walk and giggle in the talk
Jiles Perry Richardson, Jr. (October 24, 1930 – February 3, 1959), called JP by his friends but commonly known as The Big Bopper, was an American disc jockey, singer, and songwriter whose big voice and exuberant personality made him an early rock and roll star.In May 1957, he broke the record for continuous on-the-air broadcasting by eight minutes. He performed for total of five days, two hours and eight minutes, playing 1,821 records and taking showers during five-minute newscasts. He lost 35 pounds (16 kilos) during his marathon. KTRM paid Richardson $746.50 for his overtime and he slept for the next 20 hours.
With the success of "Chantilly Lace," Richardson took time off from KTRM radio and joined Buddy Holly and The Crickets, Ritchie Valens and Dion & the Belmonts for a "Winter Dance Party" tour. On February 2, 1959, Buddy Holly chartered a Beechcraft Bonanza to take him, Tommy Allsup, and Waylon Jennings to Fargo, North Dakota. Richardson was suffering from the flu and didn't feel comfortable on the group's bus. Jennings agreed to give up his plane seat to Richardson. Valens had never flown in a small plane and requested Allsup's seat. They flipped a coin, and Valens won the toss. Early on the morning of February 3, 1959, after a performance at the Surf Ballroom in Clear Lake, Iowa, the small four-passenger Beechcraft Bonanza took off from the Mason City airport during a blinding snow storm. It crashed into Albert Juhl’s corn field several miles after takeoff at 1:05 a.m. The crash killed all aboard: Buddy Holly, Ritchie Valens, Richardson and the 21-year-old pilot, Roger Peterson.
Well done to the top three from last round, got my nominations in. I'll be sitting this round out this week but should be able to rip out a heavy dosage of rock next week :)
Reply by MadmLeoGOLD on October 7, 2008 at 10:38 AM
Hey everyone! It is day 9 of my 12-days in Hades work week so, please accept my apologies for not getting anyone listened to last round... which means I also did not vote :0(
BUT... I punched in all three nominations last night!! That much I made time to do for you three. I do not need to listen to know that ALL THREE OF YOU deserve the nom cuz I know what you are capable of producing. So... CONGRATULATIONS ALL!!!
Reply by sedaleyGOLD on October 7, 2008 at 11:22 AM
Good morning, everyone!
Congrats to the top 3! I got my nominations in yesterday! I am at a loss for a song this week. I'm gonna tryand find a list somewhere. When I do, I'll post it here, for anyone else who's having trouble in this genre.
Reply by turtleroxGOLD on October 7, 2008 at 11:24 AM
turtlerox trying to shake the winter blues........and cold!
Thanks everyone for the Nom this week!!!! Congrats also to VoiceOgold and JessKent!!!!! Knew you had to be in there this week Jess!!! You're House Of The Rising Sun was truly awesome!!!!
"Mr. Sandman" is a popular song written by Pat Ballard which was published in 1954 and first recorded in that year by The Chordettes. The song's lyrics convey a request to "Mr. Sandman" to "bring me a dream", the word "dream" ambiguously referring to a real significant other as well as to a sleeping dream - the traditional association with the folkloric figure, the sandman. The pronoun used to refer to the desired dream is often changed depending on the gender of the singer or group performing the song. Some time later, Ballard also rewrote the lyrics for Christmas use as "Mr. Santa", though this version is rarely heard today. The song has an interesting music theoretical aspect, as the chord progression in the chorus follows the circle of fifths for six chords in a row.
The Chordettes recording of the song was released on the Cadence Records label whose founder, Archie Bleyer, is credited on the disc's label as "knees played by" and orchestra conductor. The single reached #1 on the Billboard United States charts and #11 on the United Kingdom charts in 1954. In November, 1954 The Four Aces released a version that charted even higher in the UK, reaching #9 and in the same year a version by Max Bygraves reached #16 on the UK charts. On the Cash Box magazine charts in the US, where all versions were combined, the song also reached #1.
Jailhouse Rock" is a song written by Jerry Leiber and Mike Stoller that first became a hit for Elvis Presley. The song was first released as a 45rpm single on September 24, 1957, to coincide with the release of Presley's motion picture, Jailhouse Rock.
Reply by erombladGOLD on October 7, 2008 at 1:27 PM
Here's mine, Hound Dog, by Elvis Presley "Hound Dog" is a twelve-bar blues written by Jerry Leiber and Mike Stoller and originally recorded by Willie Mae "Big Mama" Thornton in 1952. Other early versions illustrate the differences among blues, country, and rock and roll in the mid 1950s. The 1956 remake by Elvis Presley is the best known version. This is the version that is #19 on Rolling Stone's list of The 500 Greatest Songs of All Time.[3] "Hound Dog" was also recorded by 5 country singers in 1953 alone, and over 26 times through 1964. [4]. From the 1970's onward, the song has appeared, or is heard, as a part of the soundtrack in numerous motion pictures, most notably in blockbusters such as American Graffiti, Grease, Forrest Gump, Lilo and Stitch and Indiana Jones and the Kingdom of the Crystal Skull. http://www.singsnap.com/snap/r/b09a4067
Oh Boy!" is a song by Buddy Holly. It appeared on the album The "Chirping" Crickets, and was originally written by Sonny West, Bill Tilghman, and Norman Petty. The song was recorded June 29 - July 1, 1957 at Petty Studios in Clovis, New Mexico with The Picks providing backing vocals. The song in an A-A-B-A format with a 12-bar blues verse and an 8-bar bridge
"Rock Around the Clock" is a 12-bar-blues-based song from 1952, written by Max C. Freedman and James E. Myers (the latter under the pseudonym "Jimmy De Knight").
Although it was probably not the first rock and roll record, nor was it the first successful record of the genre (Haley had American chart success with "Crazy Man, Crazy" in 1953 and "Shake, Rattle and Roll" in 1954, a year before "Rock Around the Clock" became a success), it is considered by many to be the song that put rock and roll on the map in America and around the world. With lyrics such as
"Put your glad rags on, join me, Hon We'll have some fun when the clock strikes one"
and
"When the clock strikes two, three and four If the band slows down we'll yell for more"
Although first recorded by Italian-American band Sonny Dae and His Knights,[2] [3] the more famous version by Bill Haley & His Comets is not, strictly speaking, a cover version. Myers claimed the song had been written specifically for Haley, but for various reasons Haley was unable to record it himself until 1954.
The original full title of the song was "We're Gonna Rock Around the Clock Tonight!". This was later shortened to "(We're Gonna) Rock Around the Clock", though this form is generally only used on releases of the 1954 Bill Haley Decca Records recording; most other recordings of this song by Haley and others (including Sonny Dae) shorten this title further to "Rock Around the Clock".
On September 1, 1956, “In the Still of the Night” charted on Billboard’s R&B lists and one week later did the same on the Pop charts. The song had become such a symbol of the ‘50s that most listeners don’t realize it never came close to being a number one record (except in New York and on various big-city charts); it only made it to number 24 Pop in the fall (#3 R&B). Still, its steady play on radio for over 35 years has made it a multi-million seller, though its author Fred Parris and the group were never honored with a gold record. It is usually among the top five songs on annual and holiday oldies shows and marathons. http://www.vocalhalloffame.com/inductees/the_five_satins.html
One of the first songs Ritchie Valens (Valenzuela) recorded at Gold Star, at a single studio session one afternoon in July 1958, was "Come On, Let's Go", an original (credited to Valens/Kuhn, Keane's real name). Pressed and released within days of the recording session taking place, the record was a success.
Ritchie later sang "Come On, Let's Go" in Philadelphia where he appeared on Dick Clark's American Bandstand television show on October 6.
Reply by littlebrian on October 7, 2008 at 9:25 PM
Hound Dog" is a twelve-bar blues written by Jerry Leiber and Mike Stoller and originally recorded by Willie Mae "Big Mama" Thornton in 1952. Other early versions illustrate the differences among blues, country, and rock and roll in the mid 1950s. The 1956 remake by Elvis Presley is the best known version. This is the version that is #19 on Rolling Stone's list of The 500 Greatest Songs of All Time.[3] "Hound Dog" was also recorded by 5 country singers in 1953 alone, and over 26 times through 1964. [4]. From the 1970's onward http://www.singsnap.com/snap/r/c112f8108
"La Bamba" is a folk song whose origins can be traced to the Mexican state of Veracruz over 300 years ago. It is best known from a 1958 adaptation by Ritchie Valens, a top 40 hit in the the U.S. charts and one of early rock and roll's best-known songs.
Influenced by Spanish flamenco and Afro-Mexican beats, the song uses the violin, jaranas, guitar, and harp. Lyrics to the song greatly vary, as performers often improvise verses while performing. However, versions (such as those by musical groups Mariachi Vargas de Tecalitlan and Los Pregoneros del Puerto) have survived because of the artists' popularity and have become the "definitive" versions. The traditional aspect of "La Bamba" lies in the tune itself, which remains the same through all versions. The name of the dance, which has no direct English translation, is presumably connected with the Spanish verb, bambolear meaning "to shake", or perhaps "to stomp". A dissenting view holds that the dance originated in or near one of the towns named Bamba in Angola or the DR Congo.
The traditional "La Bamba" was often played during weddings in Veracruz, where the bride and groom performed the accompanying dance. Today this wedding tradition is mostly lost, but the dance survives through the popularity of ballet folklórico. The dance is performed in much the same way, displaying the newlywed couple’s unity through the performance of complicated, delicate steps in unison as well as through creation of a bow from a listón, a long red ribbon, using only their feet.
The "arriba" (literally "up") part of the song suggests the nature of the dance, in which the footwork, called "zapateado", is done faster and faster as the music tempo accelerates. The repeated lyric "Yo no soy marinero" ("Lit: I am not a sailor") refers to Veracruz's marine locale and the husband's promise that he will remain faithful to his wife.
At many gatherings, including the youth conventions of Esperanto (IJK, Internacia Seminario), one traditionally dances to La Bamba in a circle. People dance in the circle and people dance out of it. The people within the circle can take a place in the outer circle by kissing one of the people dancing in it, after this ritual one swaps places. Multiple versions are used for this, Spanish as well as partly or completely sung in Esperanto.[1]
[edit] Valens' version The traditional song inspired Ritchie Valens' rock and roll version "La Bamba" in the 1950s. Valens' "La Bamba" infused the traditional tune with a rock beat, making the song accessible to the population of the United States and earning it (and Valens) a place in rock history. The song features simple verse-chorus form. Valens learned the Spanish lyrics phonetically, as he had been raised from birth speaking English. Valens' version of La Bamba is ranked number 345 on Rolling Stone magazine's list of the 500 Greatest Songs of All Time. It is the only song on the list not sung in English. Ritchie Valens' tapping into a Mexican folk song unwittingly paved the way for Twist and Shout and all the other songs based on it since 1962. The first version of the song below is as sung by Richie Valens:
[edit] Lyrics SPANISH:
Para bailar La Bamba Para bailar La Bamba, Se necesita una poca de gracia, Una poca de gracia, pa' mí, pa' ti y Arriba, arriba.. y arriba, arriba Por ti seré por ti seré por ti seré.
Yo no soy marinero Yo no soy marinero Soy capitán soy capitán soy capitán Ba Ba Bamba Ba Ba Bamba Ba Ba Bamba
ENGLISH
In order to dance La Bamba, In order to dance La Bamba, you need a little grace A little grace for me, for you and up up, and up up For you I'll be, For you I'll be, For you I'll be
I am not a sailor, I am not a sailor I am a captain, I am a captain Ba Ba Bamba Ba Ba Bamba Ba Ba Bamba''
Another common version is:
SPANISH
A para bailar La Bamba, A para bailar La Bamba, se necesita, una poca de gracia. Una poca de gracia, y otra cosita. Ay, arriba, arriba. Ay, arriba, arriba, arriba ire! Yo no soy marinero; por tí, seré.
ENGLISH
In order to dance La Bamba, In order to dance La Bamba, you need a little grace. A little grace, and a little something. Hey! Up, up, up I go! I am not a sailor; for you I will be
There are many other variations and additional verses.
offline
Posted by KDS-RadusGOLD on October 6, 2008 at 9:17 PM
Welcome Rock Club Members, to round 6 of our Weekly get together.
This week, we will be sporting old school Rock and Roll.
We are going to be dusting off our Elvis and Big Bopper albums and singing any Rock and Roll that was released prior to January 1 1960.
We have had 5 weeks of great music up to this point and we should continue to see fantastic pieces from all of our members.
I would like to applaud our 3 members that are to be voted in to the Hall of Fame this week.
For the first time since the inception of our club, JessKent, with his rendition of the Animals' House of The Rising Sun http://www.singsnap.com/snap/r/b3118ce9f has finished in the top three in our club voting.
Jess has finished near the top of the voting each and every week, and finally got there with this rendition of Eric Burton's masterpiece.
Jess was one of the original members of the first "Rock Contest" and put in some of the best rock songs of that contest and some great pieces in this one. I look forward to hearing the rest of his work through out the contest as I do everyone else's stuff!
Congrats Jess. Well done!!!
Our other two top three finishers are turtlerox with his rendition of John Kay's masterpiece Born To be Wild http://www.singsnap.com/snap/r/c8d28bc8 and Voiceogold's rendition of the Lizard King's Love Me Two Times http://www.singsnap.com/snap/watchAndListen/play/b6a5ef26 to complete our top three members for this week.
This round will start today and go until Friday this week at noon EST. All the same rules and lack there of will be enforced in this round as well. Please remember all of the wikipedia 411's on your song as well.
Good luck to all and have fun!!!
Thanks..
KD
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Reply by aboverubiesGOLD on October 6, 2008 at 9:43 PM
aboverubies thinks it is about time to resurrect crikey mate 2"Poison Ivy" is a popular song by Jerry Leiber and Mike Stoller. It was originally recorded by The Coasters in 1959 It went to #7 on the Billboard Hot 100 chart. The song was also covered by The Rolling Stones in 1963 but never actually released as a single in its own right. Linda McCartney recorded the song in 1987and her cover was released on her posthumous album Wide Prairie in 1998. The song was also a massive nationwide hit for Australian group Billy Thorpe & The Aztecs in 1964, famously knocking The Beatles off the #1 spot on the charts there, even though they were touring the country at the time.
http://www.singsnap.com/snap/r/b7ea2b9a
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Reply by aboverubiesGOLD on October 6, 2008 at 9:44 PM
aboverubies thinks it is about time to resurrect crikey mate 2Congrats to the top three. More amazing performances!!
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Reply by XxXNepTunesXxXGOLD on October 6, 2008 at 9:55 PM
wooh oooo flagging
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Reply by max2bGOLD on October 6, 2008 at 10:02 PM
Here's a song that was #1 for about six months in 1948..but alas no music from then, so did an updated version, by Elvis.
"Good Rocking Tonight" was originally a jump blues song released in 1947 by its writer, Roy Brown. It was covered by Wynonie Harris in December that year, and released in February 1948. The song includes the memorable refrain, "Well I heard the news, there's good rocking tonight!"
Harris's version was far more wild, featuring black gospel style handclapping. This was reflected in the composition's success on the national R&B chart. Harris' record was a #1 hit and remained on the chart for half a year, while Brown's original version charted for just one week in 1948, and only after Harris' recording was a hit. (Brown's single re-entered the chart in 1949 for another two weeks, peaking at #11.) Ironically, Brown had first offered the song to Harris, who turned it down. Only after the Roy Brown record gained traction in New Orleans did Harris reconsider.
Harris had a reputation for carousing, and sometimes forgot lyrics. His Good Rockin' recording session largely followed Brown's original lyrics, but by the end, he replaced the last section with a series of raucous "hoy hoy hoy!" interjections, a commonly used expression in jump blues tunes of the time, going back to 1945's "The Honeydripper" by Joe Liggins.[citation needed]
The song is a primer of sorts on the popular black music of the era, making lyrical reference to Sweet Lorraine, Sioux City Sue, Sweet Georgia Brown, Caldonia, Elder Brown, Deacon Jones. All of these characters had figured prominently in previous hit songs.
While Brown missed out on the biggest hit version of his song, its success kicked off his own career, which included two #1 R&B hits. In 1949, he released Rockin' at Midnight, a sequel to Good Rocking Tonight, which might be thought of as "Good Rocking Tonight part II" because it included updates on the same characters as the original. It reached #2 on the R&B chart, where it remained for a month. Harris's version started a craze of using gospel style backbeats in blues and rhythm and blues records, and that craze led to rock and roll.
In 1954, Good Rockin' Tonight was the second-ever Sun Records release by Elvis Presley. Presley and his bandmates hewed closer to the original Roy Brown version, but omitted the lyrics' by-then-dated roster of names in favor of a simpler, more energetic "We're gonna rock, rock, rock!"
* Paul McCartney recorded the song for the Unplugged (The Official Bootleg) album.
* A Gene Summers cover version of "Good Rocking Tonight" was included on a French compilation album "The Big Beat Show" issued by Big Beat Records (BBR1000) in 1981.
* Contraband, a all-star hard rock group recorded their version of the song for their debut self-titled album in 1991.
* Other cover versions of the song include the Treniers', Pat Boone's, James Brown's, Montrose's and Kevin DuBrow's. Robert Plant and the Honeydrippers had a successful cover of Rockin' at Midnight.
http://www.singsnap.com/snap/r/b3e5813f
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Reply by EmpressFae on October 6, 2008 at 10:16 PM
Entries for Pre-1960's Rock
01. RebelllFae: Jailhouse Rock ~ Elvis Presley -
http://www.singsnap.com/snap/r/a7c9b8b8
02. KDS-Radus: Johnny B Goode ~ Chuck Berry -
http://www.singsnap.com/snap/r/b21068184
03. milesofborg - Johnny B. Goode - Chuck Berry
http://www.singsnap.com/snap/r/c01111315
04. jewpita - Blue Suede Shoes by Elvis Presley
http://www.singsnap.com/snap/r/bedb637b
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Reply by kikiCONTRIBUTOR on October 6, 2008 at 10:23 PM
Thanks for a grand contest~ enjoyed all my listens~ congrats to all the winners!
My song for the pre 60's~ by Earth Kitt
http://www.singsnap.com/snap/watchandlisten/play/b2b977c0
"Santa Baby" is a 1953 Christmas song written by Joan Javits (the niece of Jacob K. Javits), Philip Springer, and Tony Springer.
The song is a tongue in cheek look at a Christmas list sung by a woman who wants the most extravagant gifts like sable, yachts and decorations from Tiffany's.
"Santa Baby" was originally sung and recorded in 1953 by Eartha Kitt. The song was a huge hit for Kitt, and she later said that it was one of her favorite songs to record. A sequel, "This Year's Santa Baby", was recorded by Kitt in 1954, to no commercial success; Kitt also reprised the original song for a 1963 re-recording with a more uptempo arrangement (Madonna's popular rendition for the 1987 charity album A Very Special Christmas is based on this latter version). The song gained considerable exposure after it was featured in the 1989 film Driving Miss Daisy.
[edit] Cover versions
"Santa Baby" has been covered in recorded and live performances by many other female artists throughout the years, including Maria Muldaur, Everclear, RuPaul, Taylor Horn, Madonna, Jhene, Macy Gray, Natalie Merchant, Faith Evans, Boney James, Kylie Minogue, The Pussycat Dolls, LeAnn Rimes, Kellie Pickler, and Taylor Swift as well as in an Ally McBeal episode by the title character (Calista Flockhart), by Chris Mitchell, and by The Swingle Singers. Miss Piggy sang the song in the film It's a Very Merry Muppet Christmas Movie; and recorded another version for the album A Green and Red Christmas.
The version recorded by the Pussycat Dolls entered the Top 70 Billboard charts in the Philippines, peaking at #22. Although it was a b-side the song picked up radio airplay in the Philippines. This version also appeared as track 1 on CD 1 of The Perfect Christmas 2006 album.
Rev Run has also re-recorded this song for A Very Special Christmas, Vol. 3.
In December 2007, Kylie Minogue's version of the song reached #76 in the UK due to download sales. She used it as a b-side to her single "Over The Rainbow".
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Reply by dasa on October 6, 2008 at 10:47 PM
HOpe this works
Hey Guys and Girls I have almost sorted all my work crap now so I can get back to recording next week. Isn't it a pain when your paying job gets in the road of your passion.
KD this may not fall into rock if not let me know as otherwise I will have to submit the third version of JBG to date!!
Mack the Knife - Bobby Darin
http://www.singsnap.com/snap/r/b3b6169f
Mack the Knife was introduced to the United States hit parade by Louis Armstrong in 1954, but the song is most closely associated with Bobby Darin, who recorded his version at Fulton Studios on West 40th Street, New York City, on December 19, 1958 (with Tom Dowd engineering the recording). In 1959 Darin's version reached number one on Billboard's Hot 100 and number six on the Black Singles chart, and earned him a Grammy Award for Record of the Year. Dick Clark had advised Darin not to record the song because of the perception that, having come from an opera, it wouldn't appeal to the rock & roll audience. To this day, Clark recounts the story with good humor. Frank Sinatra, who recorded the song with Jimmy Buffett, called Darin's the "definitive" version. On Radio 4's Desert Island Discs, pop mogul Simon Cowell named "Mack the Knife" the best song ever written. In 2003, the Darin version was ranked #251 on Rolling Stone's 500 Greatest Songs of All Time list.
Darin's version also hit #3 on Billboard's All Time Top 100.[1]
Promise next week back with a freshie for Heavy metal!! Rock on guys and girls. By the way my noms are in as well
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Reply by dasa on October 6, 2008 at 10:48 PM
Yes!!!
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Reply by KDS-RadusGOLD on October 6, 2008 at 11:11 PM
Just looking throught the HOF before I go to sleep.
Page 1. Seven of our members.
Page 2. Eight of our members.
Page 3. Five of our members.
In the first three pages of the Hall, our members now occupy 20 of the slots.
I am proud of this and proud to be in this club with you folks!
Well done.
Bravo!!!
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Reply by gabyGOLD on October 6, 2008 at 11:17 PM
here comes mine from before 60`s
EVERLY BROTHERS
"bye bye love"
http://www.singsnap.com/snap/r/b712684b7
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Reply by uniqartistGOLD on October 6, 2008 at 11:18 PM
Whew found the thread...lol
Congrats to the top 3 for Round 5!!! It was mighty close! My nominations are in.
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Reply by JessKentGOLD on October 6, 2008 at 11:46 PM
I want to say I am just blown away I don't know what to say. I really love singing but my daughters got me to sing in front of others. I always sang to them when they were growing up and then they got me singing in the band they were in, and thats that I finally sang in front of others at 53 years of age. Rebelllafae was sent some songs they have done on sing snap, I think they are so great I would not want to be in any contest they were in their a little scarry for me. They are a little too good.
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Reply by KDS-RadusGOLD on October 7, 2008 at 12:57 AM
Here is Jewpita's song.
Blue Suede Shoes by Elvis Presley
http://www.singsnap.com/snap/r/bedb637b
Presley and Blue Suede Shoes
Both Perkins and Presley started at Sun Records under Phillips, but Presley recorded the song in early 1956
after his Sun contract was purchased by RCA Victor. Presley's version was recorded at the RCA Studios in New
York, with Presley on vocals and rhythm guitar, backed up by his regular touring trio of Scotty Moore on lead
guitar, Bill Black on bass, and D.J. Fontana on drums. According to Scotty Moore, when the song was recorded,
"We just went in there and started playing, just winged it. Just followed however Elvis felt." According to reports
confirmed by Sam Phillips, RCA producer Steve Sholes agreed not to release Presley's version of the song as a
single while Carl's release was hot.[13]
Elvis performed the song to nation wide television audiences three times in 1956. The first time was on February
11, 1956 on the Dorsey Brother's Stage Show. Elvis performed it again on his third Stage Show appearance on
March 17, then again on the Milton Berle Show on April 3.[2] On July 1 Steve Allen introduced Elvis on the Steve
Allen show, and Elvis, appearing in formal evening wear, stated "I think that I have on something tonight that's not
quite right for evening wear." Allen asked, "What's that, Elvis?" "Blue Suede shoes" was the answer, as Elvis
lifted his left foot to show the audience. Elvis mentions Blue Suede shoes a second time on this show. In a song
during the "Range Roundup" comedy skit with Steve Allen, Andy Griffith, and Imogene Coca, he delivers the line,
"I'm a warnin' you galutes, don't step on my blue suede shoes."[14] These performances and mention of Blue
Suede Shoes on nationally broadcast shows were seen by millions of Americans.
Meanwhile, although Presley is supposed to have promised Perkins that he wouldn't cover the song on a single
record,[15] "Blue Suede Shoes" was the first song on the first ground breaking album Elvis Presley, which was
released in March. RCA released two other records with "Blue Suede Shoes" the same month: one an Extended
Play with 4 songs, and a 2x extended play version with 8 songs.[3]
RCA released the Presley version as a single on September 8.[4] This single reached #20, whereas the Perkins
version had topped the chart.
In 1960, Presley re-recorded "Blue Suede Shoes" for the soundtrack of the film G.I. Blues. While Elvis'
character's group "The Three Blazes" plays a ballad at a Frankfurt night club ("Doin' The Best I Can" by Doc
Pomus & Mort Shuman[5]), a bored GI plays "Blue Suede Shoes" by Elvis Presley on the juke box, remarking
that he wants "to hear an original". When another soldier tries to unplug the juke box, the entire place erupts into
a fight.[16] This studio re-recording marked one of only a few occasions in Presley's career in which he agreed
to re-record a previously issued song.
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Reply by KDS-RadusGOLD on October 7, 2008 at 12:58 AM
Milo did Johnny B Goode so I think I will change mine and do maybe Richie Valens, because anything Milesofborg sings, I can sing worse....lol
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Reply by james_egnerGOLD on October 7, 2008 at 1:22 AM
here's mine for the 50s' by Little Richard , " Good golly miss Molly http://www.singsnap.com/snap/r/baf84847 Good Golly Miss Molly" is a hit rock 'n' roll song first recorded in 1956 by the American musician Little Richard. The song, a 12-bar blues, was written by John Marascalco and producer Robert "Bumps" Blackwell. Although it was first recorded by Little Richard, Blackwell produced another version by The Valiants, who imitated Little Richard, but sang the song even faster. Although the Valiants' version was released first, Little Richard had the hit. Like all his early hits, it quickly became a rock 'n' roll standard and has subsequently been covered by hundreds of artists.
In 1966 the song again became a hit when Mitch Ryder & the Detroit Wheels recorded it in a medley with "Devil With A Blue Dress On". Bruce Springsteen and the E Street Band would make "Detroit Medley" a staple of their concerts' encores in the 1970s and 1980s; one such performance is captured on the 1980 No Nukes album.
Creedence Clearwater Revival recorded "Miss Molly" with slightly changed lyrics. Instead of the result of the gift of a diamond ring being, "When she hugged me and kissed me, made me ting-a-ling-a-ling", John Fogerty sang, "Would you pardon me if it's a nineteen-carat golden thing?"
The song was also covered by the Meat Puppets on their album Out My Way.
The song is included on the Jerry Lee Lewis album Live at the Star Club, Hamburg, recorded in 1964.
Brief additional history is located at Rolling Stone.
Was mentioned in the Hannah Montana Episode starring Dolly Parton, and referenced as "Good Golly Miss Dolly"
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Reply by james_egnerGOLD on October 7, 2008 at 2:12 AM
Sorry gonna have 2 get a different song I'm havin trouble with this song to play
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Reply by james_egnerGOLD on October 7, 2008 at 2:49 AM
50s entry ; Chuck berry ) Johnny b, goode ; http://www.singsnap.com/snap/r/b1bbb86f Johnny B. Goode" is a song by Chuck Berry.
Berry wrote the piece in 1955 and released it in 1958. It is a rock and roll telling of the American dream - a poor country boy becoming a star by hard work and his skill at playing the guitar. Although partly autobiographical, the inspiration for the song is said to have been Johnnie Johnson who played the piano and composed several songs with Berry, and is considered a major contributor to the unmistakable Berry sound. On earlier unreleased takes Chuck sang "colored boy" instead of "country boy", but it was changed for fear of it not being played on the radio. In reference to the boy's name, Berry was also born on Goode Avenue in St. Louis. [1]
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Reply by fccworkinggirl on October 7, 2008 at 3:39 AM
Here is my entry for this round.
Great Balls Of Fire ~ Jerry Lee Lewis
http://www.singsnap.com/snap/r/b6a27aa5
Great Balls of Fire
From Wikipedia, the free encyclopedia
Jump to: navigation, search
For the original film, see Great Balls of Fire! (film).
“Great Balls of Fire”
Single by Jerry Lee Lewis
Released November 1957
Recorded October 8, 1957, Sun Studio, Memphis, Tennessee
Label Sun 281
Writer(s) Otis Blackwell, Jack Hammer
"Great Balls of Fire" is a 1957 song written by Otis Blackwell and Jack Hammer[1].
[edit] Jerry Lee Lewis recording
The song is best known for Jerry Lee Lewis's rendition, which was recorded in the Sun Studio in Memphis, Tennessee on October 8, 1957, and released as a 45rpm single on Sun 281 in November 1957. It reached #2 on the Billboard pop charts, #3 on the R&B charts, and #1 on the country charts. It also reached #1 on the UK pop charts.
The song was ranked as the 96th greatest song ever by Rolling Stone.[2]
The song title is derived from a Southern expression, which some Christians consider blasphemous, that refers to the Pentecost's defining moment when the Holy Spirit manifested itself as "cloven tongues as of fire" and the Apostles spoke in tongues. In the 1939 movie Gone with the Wind, Scarlett O'Hara (played by Vivien Leigh) frequently exclaims, "Great balls of fire!"
[edit] Other recordings
Congrats to all the winners last round. Tough competition and an honor to be at the top. Great singing to you all. Love Dotti
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Reply by mclmsnGOLD on October 7, 2008 at 4:31 AM
ok here is my entry, i think an icky throat helped on this one lol
Jailhouse Rock
http://www.singsnap.com/snap/r/b3ae4def
"Jailhouse Rock" is a song written by Jerry Leiber and Mike Stoller that first became a hit for Elvis Presley. The song was first released as a 45rpm single on September 24, 1957, to coincide with the release of Presley's motion picture, Jailhouse Rock. Composer Mike Stoller can be seen playing piano in the film presentation of the song.
The song as sung by Elvis Presley is #67 on Rolling Stone's list of The 500 Greatest Songs of All Time[1] and was named one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.
The single, with its B-side "Treat Me Nice," was a US #1 hit for 7 weeks in the fall of 1957, and a UK #1 hit for three weeks early in 1958.
Also in 1957, "Jailhouse Rock" was the lead song in an EP (extended play single), together with other songs from the film, namely "Young and Beautiful," "I Want to be Free," "Don't Leave Me Now," and "(You're So Square) Baby I Don't Care." It topped the Billboard EP charts, eventually selling an additional two million copies and earning another double-platinum RIAA certification.
In 2005, the song was re-released in the UK and reached #1 for a single week. The song, which is an example of simple verse form, eventually sold four million copies in the US, thus earning a Double Platinum certification by the RIAA.
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Reply by conniegSITE-ADMIN on October 7, 2008 at 4:38 AM
connieg is looking forward to seeing dydy tonight! but nothing to wear...Good Golly Miss Molly
http://www.singsnap.com/snap/watchAndListen/play/b6e7329d
Good Golly Miss Molly" is a hit rock 'n' roll song first recorded in 1956 by the American musician Little Richard. The song, a 12-bar blues, was written by John Marascalco and producer Robert "Bumps" Blackwell. Although it was first recorded by Little Richard, Blackwell produced another version by The Valiants[1], who imitated Little Richard, but sang the song even faster. Although the Valiants' version was released first, Little Richard had the hit. Like all his early hits, it quickly became a rock 'n' roll standard and has subsequently been covered by hundreds of artists. The song is ranked #94 on the Rolling Stone magazine's list of The 500 Greatest Songs of All Time.
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Reply by Catharine on October 7, 2008 at 6:06 AM
Elvis Presley - Hound Dog
http://www.singsnap.com/snap/r/bad1b36f
"Hound Dog" is a twelve-bar blues written by Jerry Leiber and Mike Stoller and originally recorded by Willie Mae "Big Mama" Thornton in 1952. Other early versions illustrate the differences among blues, country, and rock and roll in the mid 1950s. The 1956 remake by Elvis Presley is the best known version. This is the version that is #19 on Rolling Stone's list of The 500 Greatest Songs of All Time.[3] "Hound Dog" was also recorded by 5 country singers in 1953 alone, and over 26 times through 1964. [4]. From the 1970's onward, the song has appeared, or is heard, as a part of the soundtrack in numerous motion pictures, most notably in blockbusters such as American Graffiti, Grease, Forrest Gump, Lilo and Stitch and Indiana Jones and the Kingdom of the Crystal Skull.
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Reply by wearytoday on October 7, 2008 at 6:58 AM
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Reply by ChelsterGOLD on October 7, 2008 at 8:20 AM
Rnd 6: Chantilly Lace - The Big Bopper - 1958
http://www.singsnap.com/snap/r/c012bfbf1
"Chantilly Lace" is the name of a rock and roll song, written and originally performed by The Big Bopper (J.P. Richardson) in 1958.The song depicts one side of a telephone conversation, with a young man talking about what he likes in a girl, including:
Chantilly lace and a pretty face
And a pony tail hanging down
That wiggle in the walk and giggle in the talk
Jiles Perry Richardson, Jr. (October 24, 1930 – February 3, 1959), called JP by his friends but commonly known as The Big Bopper, was an American disc jockey, singer, and songwriter whose big voice and exuberant personality made him an early rock and roll star.In May 1957, he broke the record for continuous on-the-air broadcasting by eight minutes. He performed for total of five days, two hours and eight minutes, playing 1,821 records and taking showers during five-minute newscasts. He lost 35 pounds (16 kilos) during his marathon. KTRM paid Richardson $746.50 for his overtime and he slept for the next 20 hours.
With the success of "Chantilly Lace," Richardson took time off from KTRM radio and joined Buddy Holly and The Crickets, Ritchie Valens and Dion & the Belmonts for a "Winter Dance Party" tour. On February 2, 1959, Buddy Holly chartered a Beechcraft Bonanza to take him, Tommy Allsup, and Waylon Jennings to Fargo, North Dakota. Richardson was suffering from the flu and didn't feel comfortable on the group's bus. Jennings agreed to give up his plane seat to Richardson. Valens had never flown in a small plane and requested Allsup's seat. They flipped a coin, and Valens won the toss.
Early on the morning of February 3, 1959, after a performance at the Surf Ballroom in Clear Lake, Iowa, the small four-passenger Beechcraft Bonanza took off from the Mason City airport during a blinding snow storm. It crashed into Albert Juhl’s corn field several miles after takeoff at 1:05 a.m. The crash killed all aboard: Buddy Holly, Ritchie Valens, Richardson and the 21-year-old pilot, Roger Peterson.
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Reply by milesofborgGOLD on October 7, 2008 at 9:38 AM
milesofborg 2008 ss awards http://www.singsnap.com/snap/forum/topic/b426554Congrats to the top 3...excellent performances again by so many :))))
Here's my entry for this round (methinks we'll here a lot of this one!!)
Round 6. Older than 60's Rock - Johnny B. Goode - Chuck Berry
http://www.singsnap.com/snap/r/c01111315
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Reply by TeggaGOLD on October 7, 2008 at 10:26 AM
Well done to the top three from last round, got my nominations in. I'll be sitting this round out this week but should be able to rip out a heavy dosage of rock next week :)
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Reply by MadmLeoGOLD on October 7, 2008 at 10:38 AM
Hey everyone! It is day 9 of my 12-days in Hades work week so, please accept my apologies for not getting anyone listened to last round... which means I also did not vote :0(
BUT... I punched in all three nominations last night!! That much I made time to do for you three. I do not need to listen to know that ALL THREE OF YOU deserve the nom cuz I know what you are capable of producing. So... CONGRATULATIONS ALL!!!
See everyone... eventually! LOL
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Reply by sedaleyGOLD on October 7, 2008 at 11:22 AM
Good morning, everyone!
Congrats to the top 3! I got my nominations in yesterday! I am at a loss for a song this week. I'm gonna tryand find a list somewhere. When I do, I'll post it here, for anyone else who's having trouble in this genre.
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Reply by turtleroxGOLD on October 7, 2008 at 11:24 AM
turtlerox trying to shake the winter blues........and cold!Thanks everyone for the Nom this week!!!!
Congrats also to VoiceOgold and JessKent!!!!!
Knew you had to be in there this week Jess!!!
You're House Of The Rising Sun was truly awesome!!!!
Thanks again all!!
Turtlerox
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Reply by EmpressFae on October 7, 2008 at 11:29 AM
I have decided to sit the rest of this contest out. Just email me the people to nominate each week and I'll be happy to send mine in.
Best of luck to everyone and thank you for putting my S.O.A.D recording into the HOF.
Great talent here and I hope that some of you I've gotten to know a little will keep in touch.
I'd like to add that if any of you get a chance, ask Jess Kent about links to his singing family. They're great! IMO (in my opinion)
Again congratulations to each weeks HOF winners...outstanding work!!!
I've had fun here and am happy that I've had the chance to meet/listen to you.
You're doing a great job with your contest Jerry...fantastic ideas you have for contests...and this one isn't costin' ya. LOL
Take care!
Big Ole Okie Hugs to y'all! (although I spent almost 41 yrs in California) I'm an Okie now. LOL
Peace!
Fae
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Reply by sedaleyGOLD on October 7, 2008 at 11:37 AM
Ok - this is has the top 200 rock n rolls ongs of the 50's. There are also links to top 100 from each year.
http://digitaldreamdoor.nutsie.com/pages/best_songs50s.html
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Reply by JuStOnEs1NgErGOLD on October 7, 2008 at 11:38 AM
I Had thanked everyone on the other round 6 before it was changed. so again thank you to all who voted for me.
i love this club. and the people in it are great..
i'm out of town right now and not sure if i will post a song this week.. Fae, sorry to see you go you have brought a lot of life and laughs,
congrats to
Turtle and Jess again
Keep Rockin!
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Reply by sedaleyGOLD on October 7, 2008 at 11:39 AM
Aww Fae! I'm sorry to see you go! It has been a pleasure getting to know you. Please stay in touch :)
Shannon
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Reply by TammieOGOLD on October 7, 2008 at 12:11 PM
flagging!!!! Congrats the the top three!! My noms are in!
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Reply by sedaleyGOLD on October 7, 2008 at 12:12 PM
Ok here's my entry:
Mr. Sandman - The Chordettes
http://www.singsnap.com/snap/r/b5dc59e1
"Mr. Sandman" is a popular song written by Pat Ballard which was published in 1954 and first recorded in that year by The Chordettes. The song's lyrics convey a request to "Mr. Sandman" to "bring me a dream", the word "dream" ambiguously referring to a real significant other as well as to a sleeping dream - the traditional association with the folkloric figure, the sandman. The pronoun used to refer to the desired dream is often changed depending on the gender of the singer or group performing the song. Some time later, Ballard also rewrote the lyrics for Christmas use as "Mr. Santa", though this version is rarely heard today. The song has an interesting music theoretical aspect, as the chord progression in the chorus follows the circle of fifths for six chords in a row.
The Chordettes recording of the song was released on the Cadence Records label whose founder, Archie Bleyer, is credited on the disc's label as "knees played by" and orchestra conductor. The single reached #1 on the Billboard United States charts and #11 on the United Kingdom charts in 1954. In November, 1954 The Four Aces released a version that charted even higher in the UK, reaching #9 and in the same year a version by Max Bygraves reached #16 on the UK charts. On the Cash Box magazine charts in the US, where all versions were combined, the song also reached #1.
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Reply by TammieOGOLD on October 7, 2008 at 12:22 PM
Here's my entry for this round!!
Jailhouse Rock - Elvis Presley
http://www.singsnap.com/snap/r/b1e1296c
Jailhouse Rock" is a song written by Jerry Leiber and Mike Stoller that first became a hit for Elvis Presley. The song was first released as a 45rpm single on September 24, 1957, to coincide with the release of Presley's motion picture, Jailhouse Rock.
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Reply by erombladGOLD on October 7, 2008 at 1:27 PM
Here's mine,
Hound Dog, by Elvis Presley
"Hound Dog" is a twelve-bar blues written by Jerry Leiber and Mike Stoller and originally recorded by Willie Mae "Big Mama" Thornton in 1952. Other early versions illustrate the differences among blues, country, and rock and roll in the mid 1950s. The 1956 remake by Elvis Presley is the best known version. This is the version that is #19 on Rolling Stone's list of The 500 Greatest Songs of All Time.[3] "Hound Dog" was also recorded by 5 country singers in 1953 alone, and over 26 times through 1964. [4]. From the 1970's onward, the song has appeared, or is heard, as a part of the soundtrack in numerous motion pictures, most notably in blockbusters such as American Graffiti, Grease, Forrest Gump, Lilo and Stitch and Indiana Jones and the Kingdom of the Crystal Skull.
http://www.singsnap.com/snap/r/b09a4067
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Reply by erombladGOLD on October 7, 2008 at 2:25 PM
Please use this link instead with video. Thank you!
http://www.singsnap.com/snap/r/b8a94b2f
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Reply by IshootIscoreGOLD on October 7, 2008 at 2:30 PM
Oh Boy!" is a song by Buddy Holly. It appeared on the album The "Chirping" Crickets, and was originally written by Sonny West, Bill Tilghman, and Norman Petty. The song was recorded June 29 - July 1, 1957 at Petty Studios in Clovis, New Mexico with The Picks providing backing vocals. The song in an A-A-B-A format with a 12-bar blues verse and an 8-bar bridge
Please Accept My Entry:
" Oh Boy " Buddy Holly & The Crickets
http://www.singsnap.com/snap/r/c11096d8f
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Reply by Lullabye_LadyGOLD on October 7, 2008 at 3:17 PM
Lullabye_Lady we be shakin' and not bakin' in cali tonight! woo hoo!Aww Fae! Gonna miss you girl! Watch out for those reclusive spiders! Take care! I have you flagged so I can keep up with your recordings!
Take Care!
I am outta here folks! Much work to get done before we leave tomorrow am. See you all on Monday!
Hugs~Karyn
ROCK ON!!!!
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Reply by turtleroxGOLD on October 7, 2008 at 7:49 PM
turtlerox trying to shake the winter blues........and cold!Here's my Round 6 entry!!
Bill Haley & His Comets - Rock Around The Clock
http://www.singsnap.com/snap/r/b5c803e7
"Rock Around the Clock" is a 12-bar-blues-based song from 1952, written by Max C. Freedman and James E. Myers (the latter under the pseudonym "Jimmy De Knight").
Although it was probably not the first rock and roll record, nor was it the first successful record of the genre (Haley had American chart success with "Crazy Man, Crazy" in 1953 and "Shake, Rattle and Roll" in 1954, a year before "Rock Around the Clock" became a success), it is considered by many to be the song that put rock and roll on the map in America and around the world. With lyrics such as
"Put your glad rags on, join me, Hon
We'll have some fun when the clock strikes one"
and
"When the clock strikes two, three and four
If the band slows down we'll yell for more"
Although first recorded by Italian-American band Sonny Dae and His Knights,[2] [3] the more famous version by Bill Haley & His Comets is not, strictly speaking, a cover version. Myers claimed the song had been written specifically for Haley, but for various reasons Haley was unable to record it himself until 1954.
The original full title of the song was "We're Gonna Rock Around the Clock Tonight!". This was later shortened to "(We're Gonna) Rock Around the Clock", though this form is generally only used on releases of the 1954 Bill Haley Decca Records recording; most other recordings of this song by Haley and others (including Sonny Dae) shorten this title further to "Rock Around the Clock".
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Reply by max2bGOLD on October 7, 2008 at 7:53 PM
Heres a play list.Please let me know if I am missing anyone!!!
http://www.singsnap.com/snap/playlist/start/a51ed88
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Reply by gothicevilsGOLD on October 7, 2008 at 8:13 PM
gothicevils is enjoying some fine wine with beef sticks and cheese :) yummy!flagging :) Congrats all 3 to the HOF noms....Now off to google.....
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Reply by gothicevilsGOLD on October 7, 2008 at 9:04 PM
gothicevils is enjoying some fine wine with beef sticks and cheese :) yummy!http://www.singsnap.com/snap/watchAndListen/play/c1127bc70
The Five Satins-In The Still Of The Night
On September 1, 1956, “In the Still of the Night” charted on Billboard’s R&B lists and one week later did the same on the Pop charts. The song had become such a symbol of the ‘50s that most listeners don’t realize it never came close to being a number one record (except in New York and on various big-city charts); it only made it to number 24 Pop in the fall (#3 R&B). Still, its steady play on radio for over 35 years has made it a multi-million seller, though its author Fred Parris and the group were never honored with a gold record. It is usually among the top five songs on annual and holiday oldies shows and marathons.
http://www.vocalhalloffame.com/inductees/the_five_satins.html
here is the youtube link as well :)
http://www.youtube.com/watch?v=fBT3oDMCWpI
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Reply by ZZLORDZZ on October 7, 2008 at 9:07 PM
One of the first songs Ritchie Valens (Valenzuela) recorded at Gold Star, at a single studio session one afternoon in July 1958, was "Come On, Let's Go", an original (credited to Valens/Kuhn, Keane's real name). Pressed and released within days of the recording session taking place, the record was a success.
Ritchie later sang "Come On, Let's Go" in Philadelphia where he appeared on Dick Clark's American Bandstand television show on October 6.
COME ON, LET'S GO- 1958
Ritchie Valens
http://www.singsnap.com/snap/r/bef81317
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Reply by milesofborgGOLD on October 7, 2008 at 9:18 PM
milesofborg 2008 ss awards http://www.singsnap.com/snap/forum/topic/b426554My noms are in too :)))) But Fae leaving?????!!!! :(((((((
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Reply by littlebrian on October 7, 2008 at 9:25 PM
Hound Dog" is a twelve-bar blues written by Jerry Leiber and Mike Stoller and originally recorded by Willie Mae "Big Mama" Thornton in 1952. Other early versions illustrate the differences among blues, country, and rock and roll in the mid 1950s. The 1956 remake by Elvis Presley is the best known version. This is the version that is #19 on Rolling Stone's list of The 500 Greatest Songs of All Time.[3] "Hound Dog" was also recorded by 5 country singers in 1953 alone, and over 26 times through 1964. [4]. From the 1970's onward http://www.singsnap.com/snap/r/c112f8108
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Reply by Anomaly on October 7, 2008 at 9:31 PM
Here's my entry :
Elvis Presley - Can't help falling in love
http://www.singsnap.com/snap/r/ca130d7d7
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Reply by ZZLORDZZ on October 7, 2008 at 10:10 PM
Fae leaving!!!?
awwww.....
but why?
....:(
well, take care dear....
we'll surely miss ya!
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offline
Reply by KDS-RadusGOLD on October 7, 2008 at 10:18 PM
Here is my new entry.
Los Lobos
http://www.singsnap.com/snap/r/b5b7658f
La Bamba
Cool read....here it is....
"La Bamba" is a folk song whose origins can be traced to the Mexican state of Veracruz over 300 years ago. It is best known from a 1958 adaptation by Ritchie Valens, a top 40 hit in the the U.S. charts and one of early rock and roll's best-known songs.
Influenced by Spanish flamenco and Afro-Mexican beats, the song uses the violin, jaranas, guitar, and harp. Lyrics to the song greatly vary, as performers often improvise verses while performing. However, versions (such as those by musical groups Mariachi Vargas de Tecalitlan and Los Pregoneros del Puerto) have survived because of the artists' popularity and have become the "definitive" versions. The traditional aspect of "La Bamba" lies in the tune itself, which remains the same through all versions. The name of the dance, which has no direct English translation, is presumably connected with the Spanish verb, bambolear meaning "to shake", or perhaps "to stomp". A dissenting view holds that the dance originated in or near one of the towns named Bamba in Angola or the DR Congo.
The traditional "La Bamba" was often played during weddings in Veracruz, where the bride and groom performed the accompanying dance. Today this wedding tradition is mostly lost, but the dance survives through the popularity of ballet folklórico. The dance is performed in much the same way, displaying the newlywed couple’s unity through the performance of complicated, delicate steps in unison as well as through creation of a bow from a listón, a long red ribbon, using only their feet.
The "arriba" (literally "up") part of the song suggests the nature of the dance, in which the footwork, called "zapateado", is done faster and faster as the music tempo accelerates. The repeated lyric "Yo no soy marinero" ("Lit: I am not a sailor") refers to Veracruz's marine locale and the husband's promise that he will remain faithful to his wife.
At many gatherings, including the youth conventions of Esperanto (IJK, Internacia Seminario), one traditionally dances to La Bamba in a circle. People dance in the circle and people dance out of it. The people within the circle can take a place in the outer circle by kissing one of the people dancing in it, after this ritual one swaps places. Multiple versions are used for this, Spanish as well as partly or completely sung in Esperanto.[1]
[edit] Valens' version
The traditional song inspired Ritchie Valens' rock and roll version "La Bamba" in the 1950s. Valens' "La Bamba" infused the traditional tune with a rock beat, making the song accessible to the population of the United States and earning it (and Valens) a place in rock history. The song features simple verse-chorus form. Valens learned the Spanish lyrics phonetically, as he had been raised from birth speaking English. Valens' version of La Bamba is ranked number 345 on Rolling Stone magazine's list of the 500 Greatest Songs of All Time. It is the only song on the list not sung in English. Ritchie Valens' tapping into a Mexican folk song unwittingly paved the way for Twist and Shout and all the other songs based on it since 1962. The first version of the song below is as sung by Richie Valens:
[edit] Lyrics
SPANISH:
Para bailar La Bamba Para bailar La Bamba, Se necesita una poca de gracia, Una poca de gracia, pa' mí, pa' ti y Arriba, arriba.. y arriba, arriba Por ti seré por ti seré por ti seré.
Yo no soy marinero Yo no soy marinero Soy capitán soy capitán soy capitán Ba Ba Bamba Ba Ba Bamba Ba Ba Bamba
ENGLISH
In order to dance La Bamba, In order to dance La Bamba, you need a little grace A little grace for me, for you and up up, and up up For you I'll be, For you I'll be, For you I'll be
I am not a sailor, I am not a sailor I am a captain, I am a captain Ba Ba Bamba Ba Ba Bamba Ba Ba Bamba''
Another common version is:
SPANISH
A para bailar La Bamba, A para bailar La Bamba, se necesita, una poca de gracia. Una poca de gracia, y otra cosita. Ay, arriba, arriba. Ay, arriba, arriba, arriba ire! Yo no soy marinero; por tí, seré.
ENGLISH
In order to dance La Bamba, In order to dance La Bamba, you need a little grace. A little grace, and a little something. Hey! Up, up, up I go! I am not a sailor; for you I will be
There are many other variations and additional verses.
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online
Reply by mgsactoGOLD on October 7, 2008 at 10:28 PM
mgsacto is trying a new microphone..if you listen tell me what you thinkLet's dance our way back up to the top of the page....
Edited on October 7, 2008 at 10:29 PM Quote